I'm intrigued by the relentless way nature reclaims everything in life. This phenomenon becomes palpable when we observe untouched objects, like a door left abandoned in the heart of the forest. I once stumbled upon such a sight, and I watched as moss slowly enveloped the door. It marked the first time I truly believed that our forgotten possessions might not irreparably harm the Earth because nature, in its own time, would inevitably reclaim them.
The idea of nature's reclamation has led me to practice the art of letting go in my life, especially within my relationships. I've had to cultivate this skill in my connections with those closest to me. In the past, I allowed my expectations to overshadow my ability to love and care for others unconditionally. These expectations often metamorphosed into formidable obstacles, akin to thick ropes creeping through the walls of my room. To symbolize the entryways to my personal spaces, I employed an antique door. The amalgamation of painted paper, fabric, and donated clothing adorning the door represents the intricate web of roots that binds everything in nature.
This installation was featured as part of the Contemporary Arts Network's CAN FEST, "In Conjunction," held at AssemblyNFK in Norfolk, Virginia in September 2022. The culmination of this installation involved a performance where I meticulously carved "I CAN LOVE" into the door, a testament to my journey of growth and self-discovery.